
Peter-Patrick76
मार्च 2013 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
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रेटिंग27.8 हज़ार
Peter-Patrick76की रेटिंग
समीक्षाएं6
Peter-Patrick76की रेटिंग
The main characters of the film talk about the vitality of death. Conversations about the sublime, which are not intended for colloquial speech. Women talk a lot about art, the existence of which is shown by Almodóvar as one of the best ways to prolong life.
There is emotional tension throughout the film. I was waiting for the expressive narration inherent in Almodóvar. The scenes of the film are very dynamic. The measured rhythm of the film, however, did not make it boring.
Despite the tragic ending, I was left with a feeling of hope after finishing the film. Hope about our reflection in loved ones and about the revival of the planet.
There is emotional tension throughout the film. I was waiting for the expressive narration inherent in Almodóvar. The scenes of the film are very dynamic. The measured rhythm of the film, however, did not make it boring.
Despite the tragic ending, I was left with a feeling of hope after finishing the film. Hope about our reflection in loved ones and about the revival of the planet.
The poem "This is the House That Jack Built" is a poetic rondo based on repeated refreshes, repeating, reminiscent of a children's counting tongue twister, was included in the pop repertoire of Igor Ilyinskiy. His voice, sounding in the film, and the character of the performance largely determined the rhythm of the picture. In the process of recording the sound, which was carried out "under the image", Igor Ilyinskiy, entering the image of the heroes of the film, repeated their plastic: "fluttered" a tit, sneaked with cat's softness, then in the image of a dog threw himself from an imaginary shelter behind an imaginary cat.
Having abandoned the illustrative approach (when the image obediently echoes the text, following it, which gives the whole work some passivity) to the screen version of this complete crafty irony of the poem, director Andrey Khrzhanovskiy and production designer Natalya Orlova created their own artistic world, sounding in a grotesque-paradoxical tonality and full of polyphony, where the verbal, musical and spectacular series make up the cheerful polyphony.
Having abandoned the illustrative approach (when the image obediently echoes the text, following it, which gives the whole work some passivity) to the screen version of this complete crafty irony of the poem, director Andrey Khrzhanovskiy and production designer Natalya Orlova created their own artistic world, sounding in a grotesque-paradoxical tonality and full of polyphony, where the verbal, musical and spectacular series make up the cheerful polyphony.
This documentary is about the life and times of Dorian Yates, who is a legendary bodybuilder known in his prime as The Shadow. This was due to his mysterious bodybuilding preparation, where he would ship off back to his home in England and then appear at the Olympia the next year with a physique that made jaws drop and the impossible suddenly become real in the flesh. "Blood And Guts" film was then later released revealing just how intense he trained. And now "Dorian Yates: The Original Mass Monster" dives deeper to uncover the mindset of the man who transformed bodybuilding forever. The release of the most comprehensive documentary about Dorian Yates, the six time Mr. Olympia champion, who ushered in the era of mass monsters that still continue to this day. Now long since retired, Dorian has revolutionized the sport of bodybuilding with his iconic "blood and guts" training style, a machine-like focus that bordered on the peculiar, and rejecting the California bodybuilding scene that was the dominant influence on the industry from its inception. The documentary chronicles the life and times of his storied career and the new life he created for himself post-bodybuilding.